My joy
your face
My life
misplaced
My breath
filling space
Alive,
still
© Kait King, 2015
My joy
your face
My life
misplaced
My breath
filling space
Alive,
still
© Kait King, 2015

You will never
have power over me
You’ve taken everything
that you can see
but you will never
have power over me
You will never
have my mind
You’ve beaten me black
held me behind
But I promise, you will never
have my mind
You will never
have my soul
You tell me I’m ugly
stupid and old
But I swear, you will never
have my soul
© Kait King, 2016
Crystal Meth
An addicts’ breath
Inhales a
smoky dream
In reality
You’re never free
Just a brains’
endless scream
Crystal Meth
Talk in depth
Required by any means
Close to death
That last crystal breath
It’s not as great as it seems
Crystal Meth
Families bereft
Bury a loved one, crying
Cold caress
This Crystal Meth
And our children
keep on dying
© Kait King, 2016
Here comes
A virus
Here comes
A plague
Here comes
The UN
The WHO
Der Hague
Here comes
Mad Max
Here comes
The Stand
Chaotic
Pandemic
Just a question
Of when
And death:
Is it 1 in 2
Or 1 in 4?
Or 6 out of 10?
Or even…
More?
Here is
The second coming
See the
Novel mute
Silent
Violent
Sneaky death
A body
Down a chute
Listen…
Gloves are
Snapping on
Facemasks
In demand
No one knows
This chaos
The world is
Out of hand
Kait King 20/03/20

This is not a Horror Movie
This is Real Life
Where a Mother kills her Child
or a Husband kills a Wife
© Kait King, 2016

My Dad and Me
It was so sad
to watch you fade
your mind
as sharp as a knife
It was so hard
to say goodbye
To such a treasured life
It made me smile
to think on you a while
and on how you loved
your wife
Your children given
all you had
you gave
a treasured life
It seems that you
are still here
although you can’t
be seen
I often talk to you
And not just
in my dreams
I hope I told you
I loved you enough
I hope you know
how much I cared
And I know
one day,
I’ll see you again
Somewhere over there…
© Kait King, 2015

You never quite
got to be here
You never quite
got to breathe in air
I never quite
got to touch
your face
take you home
show you
your place
I never quite
got to watch you grow
I never quite
got to get to know
you,
your love
I never quitegot to hold
your tiny hand
or do anything elsethat I had planned
I’ll never quitehear you say
“Mum, you were right!”
Or get to readbedtime stories
at night
You’ll never quitemiss me
when I am not there
Sadly, our lives,this time,
we’ll not share…
© Kait King, 2015

You just don’t look
the same
Your skin so
pearlescent white
Your energy has
left us now
You’ve gone
towards the light
Your hand and cheek
cools quickly
A deathly stillness
about you, sets
If only you could
calm your family
And tell them not
to fret
You will be close
while they need you
They may even
know
But there will come a time
Sweet Angel,
when you really
have to go
© Kait King, 2016

Somehow you get through – it’s not even that you learn to live with these things – they stay in our lives forever as part of who we are. In fact these are the things that make us who we are. They used to say this kind of suffering was character building. That may or may not be so, for me, it allows great reflection and understanding of my capacity to love and give love and in turn what it means to lose that.
One of the annoying things friends and family expect, is for you to “get over it” after a certain amount of time – whatever that time is. But there is nothing to get over. You can’t just imagine it’s behind you – things are not behind us, they are all a part of us. We carry them with the sum of ourselves. Maybe by putting things behind us we let our guard down, we love too easily again, we get hurt so much more because of that. Taking the good and the bad experiences is what makes you the person you are. Are you a fighter? Do you run away? Are you persistent? Do you give up? Whatever you do, you have to live with it – you don’t learn to live with it – there is no manual. You have no choice, choice has been removed from this section of your life and a loss of some kind has left a crater and a giant rock in the same place. Luckily the giant rock plugs up a lot of the feelings for a while – this is often known as shock. Eventually the putridness of your trapped feelings in this hole in your heart starts building up a mass of toxic gasses which must be expelled. This build up, over any period of time (as long as it takes you), causes a massive explosion. The giant rock is blasted apart from the hole in your heart. The tiny splinters of angst, hurt, devotion, honor,disbelief, love and any other betrayed related feeling you can imagine, is dug deeply into your heart and mind. Each little splinter of that pain has barbs of doubt, guilt and confusion holding them in place in your heart. And we can’t let go or it can’t let go of us or we don’t give ourselves permission to keep moving forward even though we are cemented in that time of tragedy and know that’s impossible, isn’t it?
The hard part is learning to navigate around these losses, grievances and betrayals, eventually like a powerful river we keep flowing around these rocks of hurt that seem like they will never shift or move. But they do erode – the erosion is so subtle and slow we don’t even notice and so it is, I believe, with tragedy, loss and grief; be that for a living being or a relationship of any kind. Loss leaves a big hole and a giant rock that you drag around with you all the time. Afterwards we question everything said and done, what could have been different, the “if only’s” and the “what if’s” with hopeless, empty dreams. Nothing can be changed. It is what it is, but I know I fight against this too, even though I understand the futility of the fight!
I think only in time will I manage to erode down that rock of loss, will I be able to take the sharp edges off and flow a little easier around the things put in my way that I have no way of changing. Perhaps time won’t heal the wounds, but perhaps time allows my river of life to smooth the edges of hurt. Perhaps it lets me build up strength so that I can push past that hurt easier, every time I have to go past that hurt again. Because it doesn’t go away….
With a delicate stillness
and a quiet noise
with porcelain perfection
and perfect China poise
the body is supine
lying dead on the floor
supine in exsanguination
a choice to become Death’s whore
Ruby red your favourite colour
you wear it very well
although I won’t see you out much
a story we will tell
Did you get off scot-free?
Did you truly escape?
Or will you have to pay your dues
and return to this landscape…
© Kait King, 2015

warped, crippled
twisted and blackened
my monsters will be set free
decrepit, decayed,
barren of soul
sit here or there
and all will see
Damaged, Dangerous,
Dark and Fright
my monsters travel day or night
bad dreams,
bad thoughts,
dark dreams,
No light –
not all is as it seems
with knuckle-bite fright….
© Kait King, 2015
No, I’m not OK
she said
And I didn’t know
what to do
But all she really needed
was someone to
talk to
Not everything is
fixable
or even wants to
be fixed, so
we learn to live with
special things
sometimes things we would
never show
some things are just too ugly
to let anybody know
© Kait King, 2016

Gingerly I type the words, wondering if I may be the only person who thinks like this. god’s daughter is turning out to be more appalling than horrific, more repulsive than disgusting. I can feel her like black tar in my mind. She calls me to write her out – to layer her like a black wedding cake, all the details – the spiders, the webs, the cockroaches, the mould and dusty aura of her mind. The corners of her life are all in shadow, a shadow I have to be brave enough to step into and feel the darkness that is god’s daughter. She wants to be created but she doesn’t want me – I am nothing to her, just like everyone else.
And she is nothing like me…

It’s a Universal sickness
where nobody seems
to care
Our priorities are different
and now we don’t know how
to share
It’s a Universal sickness but
does anyone really want
to hear?
Does anybody even notice
the hopeless standing there?
Please show me a place that’s different
where people have a sense
of Universal share
© Kait King, 2016

I didn’t die
I’ve just upgraded ….
© Kait King, 2015

Sometimes I wonder if you were
ever really here
Somehow I know what’s true
when you were always there
But as life returns back
to a more even keel
I can’t help this wonderment
this dreamlike existence I feel
You are gone yet you remain
and as the world lazily spins on the same
those 70’s and 80’s – a very different look
maybe just a new chapter in my new story book
As you are not really gone
I will sing your same old song
And I will die at my age and my son
will turn the next blank page
© Kait King, 2015
He rolled her up
in the carpet
He tied her up
real tight
He threw her into
the trunk of
his car
And screeched out
into the night
He knows he must not
draw attention
He must slow down his breath
and calm
He drove around
for hours
With her body
in the back of
his car
Delusional or clear
of mind
It really didn’t
matter
He was clear enough
to clean up
the mess
And removed
all of her blood
he splattered
He contemplated water
He thought about the dump
He thought about a mountain top
He could make it look like
she jumped
As dawn approached,
a screaming light
His stomach started
to rumble
So he drove her through
the drive thru
And didn’t miss a beat
or fumble
A steady hand
held out dollar bills
But his eyes he kept downcast
Not a thought spared for
his wife in the trunk
The love that didn’t last
© Kait King, 2015

When you’re hanging by a thread
and the voices in your head
say “just let go”
When you feel torn and down
you try to take a look around
but find
you’re blind
And the time is running out
and you know what it’s about
you can feel that hanging rope
that blade against your throat
and you lean on in….
© Kait King, 2015
I would just like to say this is purely my opinion based on the knowledge and research I have undertaken. I would like to also note that I have absolutely nothing against consenting adults indulging in whatever they agree upon but this is not the case with child abuse. Apologies in advance if I offend anyone, although, not if you’re a paedophile or an abuser or violator of any kind!
1.) Understand the Paedophile
There is no race, country, religion, creed, colour or status that child abuse does not touch. With or without; money, love, two parents, exceptional education or anything and everything money can or cannot buy, will not identify who will and who will not be touched by child abuse. The innate behaviour of a paedophile can’t be changed. I use the word innate as it is – it is a preference that a paedophile is behaviourally, innately (not by choice – like being homosexual) attached to and can’t change. For example, I am a straight female – heterosexual. There is no amount of counselling, medication, psychiatric, religious or any other kind of “help” to be offered to me to change the fact that I am heterosexual – you cannot counsel me into being a lesbian or a fetishist or to like B&D if that is not part of my reptilian brain sexuality and not who I, innately, am.
Perhaps if we took more of an attitude that paedophiles cannot be rehabilitated (as science realised with homosexuality – it is their sexuality and not a choice), perhaps then less harm would come to our children. The majority of paedophiles who go through rehabilitation programmes re-offend again and very quickly. How would you go through life without sexual gratification, particularly during the peak of your hormonal life without any sexual gratification even though there are numerous opportunities for you to fulfil that desire – and yet you can not. This is irrational and unreasonable to expect of someone’s sexuality. Sexuality is what we are hot-wired for as human beings. It is what makes the world turn. So with that being said, with sexuality such a massive part of our being as human beings to survive – how on earth can we possibly expect a known paedophile not to re-offend?
We look at the paedophile through our own eyes and perception – a “non-pedocentric” view, whereas we need to know how a paedophile perceives the world and his opportunity, his innateness and where he can be tripped up. We need to do extensive research into common identifiers paedophiles use to select a child to groom, whether on-line or in the real world scenario. They will be very different scenarios, also whether familial or non-familial grooming. The majority of offending against children was familial, but now with the internet and the availability that strangers have to our children, this is swaying. We need to do everything – not something – but everything to protect OUR children the world over. A society should be measured by the way it takes care of its’ vulnerable populations, not by how many meetings/summits/discussions a country pays for to discuss which assets should be sold or a lot of hot air where nothing changes but the hotel break was lovely and the food was great! For who’s benefit?
This is just the start of something I would like to continue writing about – this is Part One of goodness knows how many pieces, as this topic is fricken massive, but needs to be addressed. It is something that eats away at my heart and soul every day and so I hope whether you agree, disagree, have other stories, please share, please get involved because the more we talk about this, the more we find out, the more we can change. I mean, imagine if we could find out that the majority of paedophiles pick children who, for example, don’t make eye contact or wear the colour yellow – we would at least have something to work with. We must empower our children and remove power from the paedophile. I believe in the 35c solution for paedophiles – or use them for testing instead of our innocent animals – either way, they are taking up OUR kids air that they should not have to fear breathing anywhere at any time.
© Kait King, 2015
In Phase 2 I would like to continue with addressing the innate behaviour of the paedophile and the impossibilities of changing this, but with regards to desire and not just behaviour.

Blood bright
and sharp
as a knife
Twisted as
a hemp rope
Gettin’ into
my life
Deep, dark
whisper
coarse as a
saw
Asking me
to write evil
out
more, more….
more
© Kait King, 2015

I remember being only
knee-high to a grasshopper
and you would twirl me around
you let me stand on your feet
and danced with me
while I clutched at your
chino trousers or
the creases on your business suit
You never minded
we always danced
I remember pouring your drink
two fingers of Glen Morangie
two fingers being my index and little
but not really
I mixed that whiskey with two blocks of ice
and a dash of chilled water
I remember how you would savour it
in the South African sunlight
at the end of your day
I remember the love of words and animals
you gifted to us all
your funniness
and sense of justice
I remember you telling me
to eat my crusts
so that I would grow hair on my chest
and I did – eat them, not grow hairs on my chest…
I remember you used to type
business letters on my belly
and I was an old typewriter with a runner
and a “ding!”
which tickled the hell out of me
“Dear sir” you would type
I’m shrieking with delight
And the photo’s that I have
I remember you Dad
© Kait King, 2015
With love and dedication to my incredible father – the walking Encyclopaedia, the uncapped academic – I miss you, we all do xxx
The words that fall
off your fingers
as you tip tap text
to me
are untrue, hurtful
and dangerous
You’re acting like
a bully
I don’t want to do that
but you threaten
me with this
You lied and said
I fucked him
when it was just a kiss
Why are you so
mean to me
What makes it ok
that you and
your so-called friends
hang me
and then
watch me sway
I couldn’t find anyone
I felt I could talk to
See everyone thought
it was true
But now I’m not here
any more –
I hope that’s better
for you…
© Kait King, 2015
This is mostly a true story!!
A long, long, loooong time ago….well it certainly feels like that, I sort of stumbled along into acting and modelling. That had to be said as I was doing some extra work on a vampire movie out in an area I live not far from now, Kings Seat. Typical film day, we had to be on set at 4-fricken-am, and in make up after signing in. So it’s cold and wet and windy. The location is an abandoned insane asylum. Big luminous floodlights are set up inside and outside of the main empty building. Spitting rain plays invisible/visible as it passes through the light – gusts of dark wind causing frenzied flurries – mesmerising, hypnotising, vampirising – so yeah, it was perfect for filming a horror/vampire movie.
A bunch of us headed up to the gloomy entrance of the building – I was desperate to take a look around and needed to find a partner in crime. Somebody else who liked having the begeezuz scared out of them. Everybody clattered into the front hallway and across to where the lamps could be seen and bizarrely enough, the smell of bacon was coming from. Trestle tables were scattered in some haphazard order, if that’s even possible and there was hustle and bustle going on where breakfast was being prepared. The area was huge, with warped wooden floors – dusty as hell, doors hung off hinges as did cobwebs off every corner and chandelier or light fitting. I wasn’t hungry at 5 am but I could do with coffee and anyway I needed to convince someone to come exploring with me. Someone who didn’t mind if they missed getting picked for some opportune moment in the movie because they were missing…
So I settled in next to someone who looked friendly enough and sipped on my coffee – it sucked, it was not real coffee and I don’t do imitation anything if I can help it – and coffee is a miracle and should be treated as such. Anyway, I’m listening quietly to the discussion I’ve intruded on. I recognise a few faces, the “usuals” and I guess I was one of them too… we swap a few early crinkled grins and raised eyebrows as acknowledgement of each other. Fuck knows what your name is but I usually don’t forget a face.
So it turns out, besides an abandoned insane asylum being creepy enough, it was haunted too. Haunted with psyche nurses who had killed themselves apparently in absolute despair. Now there were two kinds of people sitting around sipping crap coffee listening to the ghost stories. People who get more and more creeped out and just want to cling to the fluffy teddy-bear image they have of life, and then there’s people like me. People like me become more entranced and fascinated with a bad, never done before, you will never make it, you can’t do it, story… and I was sold. When you’re wired like this, you learn to pick out others who see the sick fascination in everything bizarre, unusual and usually incomprehensible. And there they were – two of them who seemed to know each other already. I had never seen them around any of the other jobs I’d been on. So I kept quiet and watched and listened and learned. They were funny and adventurous, curious and tough – I liked them and we all clicked as soon as we started chatting. I introduced myself and as we chatted away and started talking about the creepy old place, a very effeminate, obviously gay man dropped into the conversation and also fitted in perfectly with our twisted fascination of ghosts and things not of sound mind, or body for that matter.
So we slunk off to have a look around at this grey stone, intimidating building. We were in one of many – there was a place where only children were kept. The bunks lined the wall, not two up – but three. The bunks were so close together you would have to be a pretty skinny kid to squeeze your way down to the floor. The so called play ground was a fenced area with one dead, leafless tree or a twisted skeleton was sitting sadly in the middle of a patch of dirt which had become mud now, in the drizzle. The area seemed way too small for all the kids that might have filled all of those bunk beds at one time…even half of them would be a crowd. You could almost see them standing in the rain, clothes dripping, hair clinging to their unloved unwanted skulls. A great sadness hung around this area and it made us all pause and be grateful that we were on the other side, even though Kings Seat was empty – even though it didn’t quite feel like that.
Behind us was the building for the criminally insane. Razor blade wire sat on top of a chain link fence glinting dangerously at us in the flickering lights from afar. I wondered how many desperately crazy people had dreamed of being able to slice their arms on that wire and escape the hell they were in. This place was for those charming individuals who danced around with their mother’s skin draped over them in the moonlight – naturally Ed Gein springs to mind.
We held our mobile phones up to see where we were going and to read or look at things that caught our attention. We moved up to a general patients building. Were they just generally insane? Or did they generally behave under medication? Generally harmless? There was a broken window at the back above a walkway area – possibly made for wheelchair access. We all managed to clamber in after chunking bits of glass off the windows’ edge with a stone. It was incredibly dark and scary. The four of us clung together like shit to a blanket – I didn’t care if I was the blanket or the shit, I just wasn’t letting go come hell or high water.
So there we huddle, like a pack of startled rats. I wanted to make a circle out of us, y’know so we just could shuffle around but our backs were always protected. This started out as a good idea but became obvious very quickly that it was impossible to move through doorways, use stairs or get down hallways with any stealth or logic. We file behind each other and end up in a big open room with huge dormer windows. Bird poop, dust and time had smeared the windows to a level where it wouldn’t have mattered if the sun was shining, nothing was getting through those. The rain against the windows didn’t even manage to make a running pattern against the concreted bird shit and grime. Scattered over the floor were pictures, pictures that had been drawn by the patients who had once lived here. As we wandered through the open room and our eyes became a little more acquainted to the bad light we could see pictures still pinned to the walls. Tendrils of wallpaper hung around the pictures pinned indiscriminately with sometimes only one pin. The paper was yellowed and brittle, the pictures childlike – perhaps used as some sort of therapy. The room looked as if someone had just torn loads of pictures off the walls or out of cupboards and scattered them over the floor, leaving just the odd cluster of those who had time to be pinned. As I looked through some of the pictures I noticed some that were drawn in black, red and purple crayon – angry, hurt drawings. It was weird, standing there, looking into personal demons of strangers. Wondering why there are so many stories of the people who care for the crazy ending up crazy themselves or worse still, dead.
You could almost see a body hanging in a doorway, someone scratching on a wall, another rocking back and forth in some vortex unknown. We took our leave and headed back out through the window and out into the dank dark morning. As we crunched our way around the weed riddled gravel roads we came across a pen type building. There were hoses attached and metal bars that looked like they would pin a human against the wall. We all agreed that this felt like a place where people had been forced to be cleaned or washed. It felt desolate and wet, cold and unforgiving. As we moved through the property we found ourselves in a very oppressive place. We walked through a heavy metal door, we didn’t want to touch it and all of us managed to squeeze through it’s unwilling opening. I stood in the dusty darkness, I felt like I couldn’t breathe. I was in a narrow low corridor, about ten rooms ran opposite each other with steel doors on each. The rooms themselves were all made of cement – the floor flowed into a cement bed, up into a cement wall and a grater type covering sat over a small oblong window. You wouldn’t be able to put your face up to it or look out onto anything. The whole room was cement, nothing movable. I could feel so much pressure on my body it was weird. As we walked down looking into the rooms we found sad memento’s of those forgotten. A filthy comb on a cement bed, a piece of hopeful rope, a blood smattering, or smear in just about every room. These dungeons stank of pain, sadness and death – death of spirit…
It was so oppressive we all became desperate to get out, panicky – overwhelming stuffiness and cloying glue air. Clambering and squeezing through the impossibly heavy door we fell out of the corridor into an open room and looked at each other, exclaiming how awful that was. We had all been frightened by this creepy old building and the grounds. We had all felt the sadness and suffocating oppressiveness but for some reason it was overwhelming in that close, dark corridor of cement rooms. We made a hurried journey back to the main building, strangely quiet in the slowly iron grey morning. Once we got there amongst the lights and bustle we kind of relaxed a little. The thought of anyone being locked up in those cells made of cement, like a tomb, it was incomprehensible. So with a hot drink in our clutches we tried to warm up a little. Some of the people who had been chatting to my new found friends came over to our huddle and asked us where we had escaped to. After telling them in great detail about our scary travels around Kings Seat we were all called to set and had to stand around for a while in silence most of the time – very tiresome. Anyway at morning tea it seemed that a little tour guide gathering had decided we were going to take them to the creepy tomb-like cells where the insane must have thrown themselves against the walls, clawed at the grater windows till they bled, banged their heads against those concrete walls and some would have killed themselves in there too, no doubt.
We arrived at the huge concrete and steel door into the corridor to the cells. We couldn’t move the door either open more or closed so those who were able and willing, slipped through the gap and into the squashing atmosphere of the tomb. There were lots of ooOOoo’s and aaahhh’s – a shriek and giggling. Slowly people dripped back out of the tombs’ corridor and into where I was standing, unable to go back in after the way I had felt there. No one seemed to be too fussed, I think there were too many of us to feel or allow anything to feel.
We returned to the main building – the adventure had been creepy and mysterious to all of the others but they had not felt what we had felt. The four of us had made surreptitious eye contact, realising that no one else had experienced that suffocating horror, or silent desperateness to get out. None of us had spoken while we had been in that corridor, looking into the cells – it was almost out of some religious or spiritual reason or respect that we were unable to do anything initially and then just want to escape a split second later, with absolute needy desperation…it was strange.
We continued filming after the morning break and lunchtime rolled around. One of the research guys from the crew invited me to sit and have lunch with him. We had met before and he always knew what was going on and when. So I told him what we had been up to and that I thought the place where the psychiatric nurse would have committed suicide would be in that tomb room that the four of us had felt strange in. He looked at me with a slightly confused look on his face.
“Which psyche nurse was this?” he asks
“Well, I think there was more than one who committed suicide because of the patients…” I said, trailing off. He was shaking his head. “Uh uh…that’s not what happened there. You have the wrong story.”
So I ask him to tell me the real deal. Apparently that cement cell block held the most dangerous patients – and was generally full at any one time. The ratio for patient and nurse was one on one due to the nature of the beast. Somehow one of the patients overwhelmed his nurse, a male psyche nurse and suffocated him. He then stealthily crept to the next cell and helped the next patient kill his nurse and so on and so forth until all ten severely violent and disturbed psyche patients were free. As the gathering group moved down the cell block the killing became more and more frenzied as they realised there was nothing that the nurses could do when there was seven of them and only 3 nurses left. Some patients threw bodies against walls and smashed the victims heads open, dangled brains over themselves and ran around screaming.
No one would go in there. The staff believed they would calm down when it came around to meal time and the nightmare could be dealt with then. Well the patients managed to hole up in there for 5 days, eating the bodies of the dead nurses. Then they turned on themselves. That is why there is no Kings Seat Asylum for the Mentally Insane any more – they ate the staff and the clients – real bad for business….
The End
© Kait King, 2015
Why won’t you sing our song
We sing yours over here
Why don’t you whisper
our fallen’s names
Or don’t you really care
If blood alone had been spilt
Could you tell that blood apart
Or perhaps without the body
You could tell the difference
in their hearts
Why won’t you sing our Kiwi song
They fought as brothers in arms
They all fell in the same stinking hell
They deserve a name whispered
in the calm
For the fallen ANZAC soldiers of New Zealand, who’s song (national anthem) is not sung in Australia. We recognise and sing the Australian anthem for all of them when we celebrate ANZAC day over here. They were “brothers in arms” after all. C’mon Australia – do the right thing.
© Kait King, 2015
Pain eats you up
it gnaws on my
already
frazzled nerves
Pain is a game
I play against
my self,
my will,
my mind
Pain wears me down
it sucks away at my
strength,
my soul,
my life
© Kait King, 2015
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