This is mostly a true story!!
A long, long, loooong time ago….well it certainly feels like that, I sort of stumbled along into acting and modelling. That had to be said as I was doing some extra work on a vampire movie out in an area I live not far from now, Kings Seat. Typical film day, we had to be on set at 4-fricken-am, and in make up after signing in. So it’s cold and wet and windy. The location is an abandoned insane asylum. Big luminous floodlights are set up inside and outside of the main empty building. Spitting rain plays invisible/visible as it passes through the light – gusts of dark wind causing frenzied flurries – mesmerising, hypnotising, vampirising – so yeah, it was perfect for filming a horror/vampire movie.
A bunch of us headed up to the gloomy entrance of the building – I was desperate to take a look around and needed to find a partner in crime. Somebody else who liked having the begeezuz scared out of them. Everybody clattered into the front hallway and across to where the lamps could be seen and bizarrely enough, the smell of bacon was coming from. Trestle tables were scattered in some haphazard order, if that’s even possible and there was hustle and bustle going on where breakfast was being prepared. The area was huge, with warped wooden floors – dusty as hell, doors hung off hinges as did cobwebs off every corner and chandelier or light fitting. I wasn’t hungry at 5 am but I could do with coffee and anyway I needed to convince someone to come exploring with me. Someone who didn’t mind if they missed getting picked for some opportune moment in the movie because they were missing…
So I settled in next to someone who looked friendly enough and sipped on my coffee – it sucked, it was not real coffee and I don’t do imitation anything if I can help it – and coffee is a miracle and should be treated as such. Anyway, I’m listening quietly to the discussion I’ve intruded on. I recognise a few faces, the “usuals” and I guess I was one of them too… we swap a few early crinkled grins and raised eyebrows as acknowledgement of each other. Fuck knows what your name is but I usually don’t forget a face.
So it turns out, besides an abandoned insane asylum being creepy enough, it was haunted too. Haunted with psyche nurses who had killed themselves apparently in absolute despair. Now there were two kinds of people sitting around sipping crap coffee listening to the ghost stories. People who get more and more creeped out and just want to cling to the fluffy teddy-bear image they have of life, and then there’s people like me. People like me become more entranced and fascinated with a bad, never done before, you will never make it, you can’t do it, story… and I was sold. When you’re wired like this, you learn to pick out others who see the sick fascination in everything bizarre, unusual and usually incomprehensible. And there they were – two of them who seemed to know each other already. I had never seen them around any of the other jobs I’d been on. So I kept quiet and watched and listened and learned. They were funny and adventurous, curious and tough – I liked them and we all clicked as soon as we started chatting. I introduced myself and as we chatted away and started talking about the creepy old place, a very effeminate, obviously gay man dropped into the conversation and also fitted in perfectly with our twisted fascination of ghosts and things not of sound mind, or body for that matter.
So we slunk off to have a look around at this grey stone, intimidating building. We were in one of many – there was a place where only children were kept. The bunks lined the wall, not two up – but three. The bunks were so close together you would have to be a pretty skinny kid to squeeze your way down to the floor. The so called play ground was a fenced area with one dead, leafless tree or a twisted skeleton was sitting sadly in the middle of a patch of dirt which had become mud now, in the drizzle. The area seemed way too small for all the kids that might have filled all of those bunk beds at one time…even half of them would be a crowd. You could almost see them standing in the rain, clothes dripping, hair clinging to their unloved unwanted skulls. A great sadness hung around this area and it made us all pause and be grateful that we were on the other side, even though Kings Seat was empty – even though it didn’t quite feel like that.
Behind us was the building for the criminally insane. Razor blade wire sat on top of a chain link fence glinting dangerously at us in the flickering lights from afar. I wondered how many desperately crazy people had dreamed of being able to slice their arms on that wire and escape the hell they were in. This place was for those charming individuals who danced around with their mother’s skin draped over them in the moonlight – naturally Ed Gein springs to mind.
We held our mobile phones up to see where we were going and to read or look at things that caught our attention. We moved up to a general patients building. Were they just generally insane? Or did they generally behave under medication? Generally harmless? There was a broken window at the back above a walkway area – possibly made for wheelchair access. We all managed to clamber in after chunking bits of glass off the windows’ edge with a stone. It was incredibly dark and scary. The four of us clung together like shit to a blanket – I didn’t care if I was the blanket or the shit, I just wasn’t letting go come hell or high water.
So there we huddle, like a pack of startled rats. I wanted to make a circle out of us, y’know so we just could shuffle around but our backs were always protected. This started out as a good idea but became obvious very quickly that it was impossible to move through doorways, use stairs or get down hallways with any stealth or logic. We file behind each other and end up in a big open room with huge dormer windows. Bird poop, dust and time had smeared the windows to a level where it wouldn’t have mattered if the sun was shining, nothing was getting through those. The rain against the windows didn’t even manage to make a running pattern against the concreted bird shit and grime. Scattered over the floor were pictures, pictures that had been drawn by the patients who had once lived here. As we wandered through the open room and our eyes became a little more acquainted to the bad light we could see pictures still pinned to the walls. Tendrils of wallpaper hung around the pictures pinned indiscriminately with sometimes only one pin. The paper was yellowed and brittle, the pictures childlike – perhaps used as some sort of therapy. The room looked as if someone had just torn loads of pictures off the walls or out of cupboards and scattered them over the floor, leaving just the odd cluster of those who had time to be pinned. As I looked through some of the pictures I noticed some that were drawn in black, red and purple crayon – angry, hurt drawings. It was weird, standing there, looking into personal demons of strangers. Wondering why there are so many stories of the people who care for the crazy ending up crazy themselves or worse still, dead.
You could almost see a body hanging in a doorway, someone scratching on a wall, another rocking back and forth in some vortex unknown. We took our leave and headed back out through the window and out into the dank dark morning. As we crunched our way around the weed riddled gravel roads we came across a pen type building. There were hoses attached and metal bars that looked like they would pin a human against the wall. We all agreed that this felt like a place where people had been forced to be cleaned or washed. It felt desolate and wet, cold and unforgiving. As we moved through the property we found ourselves in a very oppressive place. We walked through a heavy metal door, we didn’t want to touch it and all of us managed to squeeze through it’s unwilling opening. I stood in the dusty darkness, I felt like I couldn’t breathe. I was in a narrow low corridor, about ten rooms ran opposite each other with steel doors on each. The rooms themselves were all made of cement – the floor flowed into a cement bed, up into a cement wall and a grater type covering sat over a small oblong window. You wouldn’t be able to put your face up to it or look out onto anything. The whole room was cement, nothing movable. I could feel so much pressure on my body it was weird. As we walked down looking into the rooms we found sad memento’s of those forgotten. A filthy comb on a cement bed, a piece of hopeful rope, a blood smattering, or smear in just about every room. These dungeons stank of pain, sadness and death – death of spirit…
It was so oppressive we all became desperate to get out, panicky – overwhelming stuffiness and cloying glue air. Clambering and squeezing through the impossibly heavy door we fell out of the corridor into an open room and looked at each other, exclaiming how awful that was. We had all been frightened by this creepy old building and the grounds. We had all felt the sadness and suffocating oppressiveness but for some reason it was overwhelming in that close, dark corridor of cement rooms. We made a hurried journey back to the main building, strangely quiet in the slowly iron grey morning. Once we got there amongst the lights and bustle we kind of relaxed a little. The thought of anyone being locked up in those cells made of cement, like a tomb, it was incomprehensible. So with a hot drink in our clutches we tried to warm up a little. Some of the people who had been chatting to my new found friends came over to our huddle and asked us where we had escaped to. After telling them in great detail about our scary travels around Kings Seat we were all called to set and had to stand around for a while in silence most of the time – very tiresome. Anyway at morning tea it seemed that a little tour guide gathering had decided we were going to take them to the creepy tomb-like cells where the insane must have thrown themselves against the walls, clawed at the grater windows till they bled, banged their heads against those concrete walls and some would have killed themselves in there too, no doubt.
We arrived at the huge concrete and steel door into the corridor to the cells. We couldn’t move the door either open more or closed so those who were able and willing, slipped through the gap and into the squashing atmosphere of the tomb. There were lots of ooOOoo’s and aaahhh’s – a shriek and giggling. Slowly people dripped back out of the tombs’ corridor and into where I was standing, unable to go back in after the way I had felt there. No one seemed to be too fussed, I think there were too many of us to feel or allow anything to feel.
We returned to the main building – the adventure had been creepy and mysterious to all of the others but they had not felt what we had felt. The four of us had made surreptitious eye contact, realising that no one else had experienced that suffocating horror, or silent desperateness to get out. None of us had spoken while we had been in that corridor, looking into the cells – it was almost out of some religious or spiritual reason or respect that we were unable to do anything initially and then just want to escape a split second later, with absolute needy desperation…it was strange.
We continued filming after the morning break and lunchtime rolled around. One of the research guys from the crew invited me to sit and have lunch with him. We had met before and he always knew what was going on and when. So I told him what we had been up to and that I thought the place where the psychiatric nurse would have committed suicide would be in that tomb room that the four of us had felt strange in. He looked at me with a slightly confused look on his face.
“Which psyche nurse was this?” he asks
“Well, I think there was more than one who committed suicide because of the patients…” I said, trailing off. He was shaking his head. “Uh uh…that’s not what happened there. You have the wrong story.”
So I ask him to tell me the real deal. Apparently that cement cell block held the most dangerous patients – and was generally full at any one time. The ratio for patient and nurse was one on one due to the nature of the beast. Somehow one of the patients overwhelmed his nurse, a male psyche nurse and suffocated him. He then stealthily crept to the next cell and helped the next patient kill his nurse and so on and so forth until all ten severely violent and disturbed psyche patients were free. As the gathering group moved down the cell block the killing became more and more frenzied as they realised there was nothing that the nurses could do when there was seven of them and only 3 nurses left. Some patients threw bodies against walls and smashed the victims heads open, dangled brains over themselves and ran around screaming.
No one would go in there. The staff believed they would calm down when it came around to meal time and the nightmare could be dealt with then. Well the patients managed to hole up in there for 5 days, eating the bodies of the dead nurses. Then they turned on themselves. That is why there is no Kings Seat Asylum for the Mentally Insane any more – they ate the staff and the clients – real bad for business….
The End
© Kait King, 2015
hard lessons
Lyrics to “Welcome to Hollywood”
V1. So you’re gonna tell me
that all that money
really makes it worthwhile
Yes, you’re here to say
that for a little more pay
you’re happy to change your style
V2. And it doesn’t matter
for worse or for better
it’s dollars in the bank you say
Well you’ve packed all your bags
No champagne, streamers or flags
Yes you’re off to be a star and hey –
Chorus: You can get to Hollywood easy
Show them what you’ve got
Even though it can be cheap and sleazy
I know that you are not
V3. Now you live up in the Hills
with fast cars and faster pills
Something to get you through each day
Red eyes and a bag of bones
But it’s just for the money you say, Hey –
Chorus….
© Kait King, 2016
I Just Wanted

I just wanted
to be happy
As baffling as
that may seem
I just wanted to
spread Kindness
Remove the idea
of being mean
I just wanted
to have Peace
As impossible as
that seems
but it’s ok, they say,
to always have dreams
There is no need to
“stand your ground”
It isn’t yours, for a start
It will still be here
When we’re not around
It’s much better to leave
a piece of your Heart
© Kait King, 2016
No Problem

Any time and everywhere
when you’re thinking people stare –
you’ve got a problem
If it doesn’t matter what they say
And you think yours is the only way –
you’ve got a problem
When you think you’re doing fine
Everyone else says you’re out of line –
you’ve got a problem
And if you think it stops right here
I don’t think you’re thinking clear –
you’ve got a problem
When a lover walks on out
saying your’e just a lay-about –
you’ve got a problem
© Kait King, 2015
A Mantra for those Suffering from Violence

You will never
have power over me
You’ve taken everything
that you can see
but you will never
have power over me
You will never
have my mind
You’ve beaten me black
held me behind
But I promise, you will never
have my mind
You will never
have my soul
You tell me I’m ugly
stupid and old
But I swear, you will never
have my soul
© Kait King, 2016
Andy’s Addiction

Andy has a problem
he doesn’t know what to do
there’s a monkey glued to his back
and it’s really chewing through
his heart,
his bank account,
his tired soul.
Andy has a problem
he doesn’t know how to say
that he doesn’t want to be here
not for another single day
of hurt,
of frustration,
in an angered mind.
Andy knows this problem
he knows what he should do
but it wraps him up and chokes him
and he can’t see his way through
another single day
with no way
to feel.
Andy can’t reach out for help
that would just mean pain
How can he reach out for help
when his hand is trapped
by shame
and addiction
and fear.
© Kait King, 2015
Crystal Meth-I-Didn’t-Mean (Methamphetamine)
Crystal Meth
An addicts’ breath
Inhales a
smoky dream
In reality
You’re never free
Just a brains’
endless scream
Crystal Meth
Talk in depth
Required by any means
Close to death
That last crystal breath
It’s not as great as it seems
Crystal Meth
Families bereft
Bury a loved one, crying
Cold caress
This Crystal Meth
And our children
keep on dying
© Kait King, 2016
In spite of

I don’t believe
you have nothing to say
that you don’t want to stand up
and shout
“don’t treat me that way”
I don’t believe
you can keep quiet
for very much longer
the hate in you grows stronger
even though you deny it
it kills you every day
I don’t believe
there is happiness in you
that you skip through every day
that your glasses are a rose-colored hue
that you are not reliant in almost every way
but that’s just not true
You drag yourself through every day
knowing that he will
punch you
humiliate you
control you
and you want to kill him
for killing you –
you try to think of another way
but nothing else will do
you have no money, no car or hope
this mean,
ugly-spirited human
says you can’t cope
in the real world
But you know that’s not true –
right?
© Kait King, 2015
I Thought It Was You

Something
is missing
since we’ve
been apart
A part is missing
Something
has been lost
and I thought
it was you
Since you’ve been gone
I thought that piece
was you
A part of me
has been missing
I truly thought
it was you
But when I look at
it closely
it was a part of me
you took –
I was missing
not you
© Kait King, 2016
This is Life

Suddenly, the world is
flat –
as I scan the horizon
of my life
I see the shadows
of my past
and the reality
of the present
And I see the light
of the future
With open arms and open
wide eyes
I welcome what is
to come – for
this is Life
The shape of my future
I know –
I have held it
in my soul
and now it lies in my hands
waiting…
© Kait King, 2016
Acceptance

For me: “Acceptance is an attempt at freedom”
© Kait King, 2015
Never Quite

You never quite
got to be here
You never quite
got to breathe in air
I never quite
got to touch
your face
take you home
show you
your place
I never quite
got to watch you grow
I never quite
got to get to know
you,
your love
I never quitegot to hold
your tiny hand
or do anything elsethat I had planned
I’ll never quitehear you say
“Mum, you were right!”
Or get to readbedtime stories
at night
You’ll never quitemiss me
when I am not there
Sadly, our lives,this time,
we’ll not share…
© Kait King, 2015
Oh no, I can’t get over it…

Somehow you get through – it’s not even that you learn to live with these things – they stay in our lives forever as part of who we are. In fact these are the things that make us who we are. They used to say this kind of suffering was character building. That may or may not be so, for me, it allows great reflection and understanding of my capacity to love and give love and in turn what it means to lose that.
One of the annoying things friends and family expect, is for you to “get over it” after a certain amount of time – whatever that time is. But there is nothing to get over. You can’t just imagine it’s behind you – things are not behind us, they are all a part of us. We carry them with the sum of ourselves. Maybe by putting things behind us we let our guard down, we love too easily again, we get hurt so much more because of that. Taking the good and the bad experiences is what makes you the person you are. Are you a fighter? Do you run away? Are you persistent? Do you give up? Whatever you do, you have to live with it – you don’t learn to live with it – there is no manual. You have no choice, choice has been removed from this section of your life and a loss of some kind has left a crater and a giant rock in the same place. Luckily the giant rock plugs up a lot of the feelings for a while – this is often known as shock. Eventually the putridness of your trapped feelings in this hole in your heart starts building up a mass of toxic gasses which must be expelled. This build up, over any period of time (as long as it takes you), causes a massive explosion. The giant rock is blasted apart from the hole in your heart. The tiny splinters of angst, hurt, devotion, honor,disbelief, love and any other betrayed related feeling you can imagine, is dug deeply into your heart and mind. Each little splinter of that pain has barbs of doubt, guilt and confusion holding them in place in your heart. And we can’t let go or it can’t let go of us or we don’t give ourselves permission to keep moving forward even though we are cemented in that time of tragedy and know that’s impossible, isn’t it?
The hard part is learning to navigate around these losses, grievances and betrayals, eventually like a powerful river we keep flowing around these rocks of hurt that seem like they will never shift or move. But they do erode – the erosion is so subtle and slow we don’t even notice and so it is, I believe, with tragedy, loss and grief; be that for a living being or a relationship of any kind. Loss leaves a big hole and a giant rock that you drag around with you all the time. Afterwards we question everything said and done, what could have been different, the “if only’s” and the “what if’s” with hopeless, empty dreams. Nothing can be changed. It is what it is, but I know I fight against this too, even though I understand the futility of the fight!
I think only in time will I manage to erode down that rock of loss, will I be able to take the sharp edges off and flow a little easier around the things put in my way that I have no way of changing. Perhaps time won’t heal the wounds, but perhaps time allows my river of life to smooth the edges of hurt. Perhaps it lets me build up strength so that I can push past that hurt easier, every time I have to go past that hurt again. Because it doesn’t go away….
Sparrow Babies

Tiny and Tinier 2014
A cove
a sparrow’s trove
of palely speckled eggs
a fluff of feathers
incompetent wings
and skinny wobbly legs
A dangerous night
or maybe it’s two
you spend upon the ground
all alone
but then the sun comes up
and warms your spirit
and you fly yourself off home
© Kait King, 2015
Suicide – is it really a free ticket out?
With a delicate stillness
and a quiet noise
with porcelain perfection
and perfect China poise
the body is supine
lying dead on the floor
supine in exsanguination
a choice to become Death’s whore
Ruby red your favourite colour
you wear it very well
although I won’t see you out much
a story we will tell
Did you get off scot-free?
Did you truly escape?
Or will you have to pay your dues
and return to this landscape…
© Kait King, 2015
Daily grind of a good guy

I come home
the cat’s at my feet
kids are crying
but there’s nothing made to eat
It’s a hard day at work
with paper knee deep
and the heater’s broken
so I can’t get to sleep
Yet another day comes
we follow like sheep
I can’t find the faith
to make that big leap
I know I shouldn’t take it in
so very, very deep
But it seems to be sort of extra hard
when you aren’t someone who cheats
© Kait King, 2015
Blessed Carrion

Beleaguered bones
please carry me there
Flattened feet
walk on
Before an age of telephones
while life is unfair
a vicious sweet
a blessed carrion
you read
you eat
walk on
© Kait King, 2015
No Way
There’s just no stopping
a speeding bullet
straight to the heart
With no clanking armour
or a bullet-proof vest
so it rips you apart
There’s just no way
to make it unscathed
through the day
with no love and no hope
no string to cling to
No reason to stay
© Kait King, 2015
Blink of an Eye

Domestic violence
that Evil Beast
Thriving on hurt
when all you want
is Peace
Insecure person
always comparing in loss
Punching out your feeble Anger
But your Family pays the cost
Vulnerable? Were you
beaten yourself?
Shouldn’t you know better
than to put them through
this Hell?
Poor little person…
Is that what you want
them to think?
So here you stand at
a Crossroad
You can change all of this
in a Blink
Kait King 2017
Why Restraining Orders are Useless…

Would it not be reasonable to think that an individual who ‘requires’ a restraining order, is the type of individual who would break a restraining order?
Kait King 2017
The Most Important Thing

She married him
when she was 23
and he was 37
She thought she’d met
Prince Charming
and he thought he’d gone
to Heaven
It didn’t take long tho’
for him to change
his song
And feel like he
was imprisoned
It happened so fast,
turned life on its arse –
she fell undeniably
and beautifully pregnant
She had her baby alone
while he drank and whored
in their home
No, it hadn’t been long
he was just bored
and it was just wrong
He had already been here
twice in his life
He had other children
and more than one wife
So with dignity
and as a lady
she took nothing
with her
just her baby
She didn’t want half
of the furniture
or a share of
the bling
She knew
she had kept
the most important thing
© Kait King, 2015
Letmeout!
My eyes feel
like I’ve rolled them in salt
My brain
just won’t let me sleep
I go through the stories
in my head –
blaming myself and
at fault
No one else
sees me like that
although they often find
the broken me
I’m not that hard
to interpret
My body stops me
being free
and my brain won’t
even let it
© Kait King, 2015
No Expectations
Presumed guilty
before proven innocent
the unwilling participant
Assume the best
and prepare for the worst
Expectation costs nothing
but disappointment hurts
© Kait King, 2015
Last thought in a Playground
She’s beating the
crap out of me
I want to be
retaliatory
But I can’t find a gap
to even try
and hit back
She kicks me in
my side
Everyone there wants to see
me cry
I can hear their
jeering calls
of magnified echoes
charging through halls
This strange metamorphosis
in sound
is my ticket off
the gravelly ground
And I can see myself
lying there
The group of bystanders
shout and cheer
My body, I see
crumpled like
a sack
And I never even got a chance
to throw a punch back
© Kait King, 2015
Society’s Perfect Human
Don’t know why I’m here
but finally I see
there’s a few hard lessons
to be learned by me
And it doesn’t matter what I
think I’ve learned
I give so much
and still get burned
So how do we turn ourselves
into someone new
It can’t be the easiest thing
to do so
why do we try so hard
to be
society’s perfect human being?
© Kait King, 2015
I just want it to end
So I’m sent back and forth
and around again
to specialists and surgeons
who say it’s in my brain
the wiring’s fucked
Is what they say
because a butcher unfortunately
hacked away
at your hope
your dreams
your aspirations
your purpose
you
Forgiveness and acceptance
words to deal with
spilling your guts makes you better
I think that’s just a myth
to stop me
hold me
trap me in belief
I just want it to end
© Kait King, 2015
Look at me…
Look at me
waffling on
happy as a bee
Look at me
skipping through life
thinking I’m free
Look at me
that wistful child
once so wild
and now independent
and grown
Look at me
with 3 under 3
and a house I don’t
even own
Look at me
shared weekends
if we’re lucky
And I know you’ve been
sucking
someone else’s cherry
lip gloss
Look at me
bitter days
long nights
spent watching crap TV
Never to be
free –
the very unhappy
divorcee
© Kait King, 2015

